Inspired by the success of the two previous Art Markets Summer School held in Lyon, in June 2019, and in Antwerp-Brussels, in July 2022, a third edition of this unique research, training and networking experience will take place in July 2023, in Portugal.
Participants with an academic or professional interest in the mechanics of the art market will join European and American specialists in art history, economics, sociology, finance, and digital humanities.
Together, they will present, share, workshop and discuss theoretical approaches, conceptual frameworks and methodological tools in a friendly and relaxed atmosphere.
This immersive experience will inspire and shape new interdisciplinary thinking about the emergence, history and governance of art markets around the world.
Participants with an academic or professional interest in the mechanics of the art market will join European and American specialists in art history, economics, sociology, finance, and digital humanities.
Together, they will present, share, workshop and discuss theoretical approaches, conceptual frameworks and methodological tools in a friendly and relaxed atmosphere.
This immersive experience will inspire and shape new interdisciplinary thinking about the emergence, history and governance of art markets around the world.
ORGANISATION
Art History Institute (FCSH, Universidade NOVA de Lisboa)
Erasmus University Rotterdam
University of Leuven (KU Leuven)
Université Libre de Bruxelles
Laboratoire de Recherche Historique Rhône-Alpes (LARHRA)
Art History Institute (FCSH, Universidade NOVA de Lisboa)
Erasmus University Rotterdam
University of Leuven (KU Leuven)
Université Libre de Bruxelles
Laboratoire de Recherche Historique Rhône-Alpes (LARHRA)
TRAINING
The training is scheduled to last five days, from July 10 to 14, 2023. Participants are invited to follow the course in its entirety. It will be taught by about fifteen speakers, specialists in economics, finance, economic history, art history, sociology, law, and the digital humanities -
all internationally recognized in their fields.
The training will include theoretical and methodological interventions, open to confrontation and exchange of views.
The training will alternate theoretical presentations built around concepts and themes central to the analysis of art markets. Specialists from different disciplinary fields will present their approaches in dialogue with colleagues from different backgrounds. Following the theoretical talks and discussion, workshops will be devoted to methodological approaches in the form of interactive workshops offering practical exercises.
The program builds on the accomplishments of the two first editions in terms of format and approach, but the sessions offered at the 2023 edition have been brought up to date to cover recent developments in scholarships and the market. We have also invited a number of different speakers who will share their views and expertise. Lastly, the fieldtrips to the Museu Nacional de Arte Antiga (National Museum of Fine Art) and the Palácio do Correio Velho auction house, in Lisbon, will give the participants a rare opportunity to visit and interact with local art (market) institutions.
A certificate of attendance will be provided so that doctoral candidates can have their participation validated by their doctoral school.
The training is scheduled to last five days, from July 10 to 14, 2023. Participants are invited to follow the course in its entirety. It will be taught by about fifteen speakers, specialists in economics, finance, economic history, art history, sociology, law, and the digital humanities -
all internationally recognized in their fields.
The training will include theoretical and methodological interventions, open to confrontation and exchange of views.
The training will alternate theoretical presentations built around concepts and themes central to the analysis of art markets. Specialists from different disciplinary fields will present their approaches in dialogue with colleagues from different backgrounds. Following the theoretical talks and discussion, workshops will be devoted to methodological approaches in the form of interactive workshops offering practical exercises.
The program builds on the accomplishments of the two first editions in terms of format and approach, but the sessions offered at the 2023 edition have been brought up to date to cover recent developments in scholarships and the market. We have also invited a number of different speakers who will share their views and expertise. Lastly, the fieldtrips to the Museu Nacional de Arte Antiga (National Museum of Fine Art) and the Palácio do Correio Velho auction house, in Lisbon, will give the participants a rare opportunity to visit and interact with local art (market) institutions.
A certificate of attendance will be provided so that doctoral candidates can have their participation validated by their doctoral school.
PARTICIPANTS
The training is aimed at the entire scientific community - early-carreer professors, researchers, post-doctoral fellows, doctoral students, staff of research support.
It should also be of interest for experts and professionals active in the art market.
It is open to all participants from Master level onwards, preferably in a discipline related to the study of art markets: economic history, art history, economics, finance, sociology, law.
The training is aimed at the entire scientific community - early-carreer professors, researchers, post-doctoral fellows, doctoral students, staff of research support.
It should also be of interest for experts and professionals active in the art market.
It is open to all participants from Master level onwards, preferably in a discipline related to the study of art markets: economic history, art history, economics, finance, sociology, law.
LANGUAGE
Due to the international nature of this training, lectures and workshops will be conducted in English. We expect that the participants have the ability to understand and be understood in English, to ensure the best possible experience.
Due to the international nature of this training, lectures and workshops will be conducted in English. We expect that the participants have the ability to understand and be understood in English, to ensure the best possible experience.
SPEAKERS
Economics of Art & Finance
Anne-Sophie Radermecker
Assistant Professor in Cultural Management at the Université libre de Bruxelles |
Kim Oosterlinck
Professor of Finance at the Solvay Brussels School of Economics and Management (Université libre de Bruxelles) and Research Fellow at the CEPR |
Nathalie Moureau
Professor of Cultural Economics at the University of Paul Valery Montpellier, France |
Sara de Sousa e Andrade
Modern and Contemporary Art Director at Palácio do Correio Velho - Auctions and Antiques |
Art History
Adelaide Duarte
Researcher, Professor at Universidade NOVA de Lisboa (NOVA FCSH) and Deputy Director of the Art History Institute |
Alice Ensabella
Professor in Contemporary Art History at the University of Grenoble and member of the LARHRA |
Anísio Franco
Deputy Director at the Museu Nacional de Arte Antiga, Lisbon |
Maria João Vilhena de Carvalho
Sculpture Collection Curator at the Museu Nacional de Arte Antiga, Lisbon |
Art History / Digital Humanities
Christian Huemer
Director of the Belvedere Research Center in Vienna |
Federico Nurra
Head of the Digital Research Service at the French National Institute of Art History (INHA, Paris) |
Koenraad Brosens
Professor in Art History and Vice-Dean of Education at the University of Leuven (KU Leuven) |
Sandra van Ginhoven
Head of the Project for the Study of Collecting and Provenance at the Getty Research Institute in Los Angeles |
Global Art Markets
Art Law