ART MARKETS - SUMMER SCHOOL
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Art Markets:
​an integrated perspective

Poznan, July 7-11, 2025

Roman Stanczak, Static Oblivion, 2015, Szafranski Collection, deposit in National Museum in Cracow
The Summer school co-hosted by the Adam Mickiewicz University in Poznan is to be a fourth edition of this international project (Art Markets Summer School Lyon, 2019, Antwerp-Brussel, 2022, Lisbon 2023).
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This year's program offers lectures, workshops and field trips, so that the participants could analyze and work with the art market system from different angles.

A team of international experts and professionals from relevant fields such as art history, digital humanities, economics, finance, law, sociology will share their expertise.

Focus will be given to AI and its place in the art market and geopolitical situation that affects the present art market and flow of cultural property given the recent global challenges and technological development.

We aim to provide you with a broad overview of our research methodology and the art market related issues. The art market has never functioned in a vacuum, so we want to position it in the historical, legal context and show the importance of the future oriented international documents with culture as a stand alone sustainable development goal.

We count on hosting participants having different backgrounds with academic or professional interest in the global art market. 

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The course is to be held in Gultowy Palace owned by the Adam Mickiewicz University near Poznan in order to create a good ecosystem for debates and networking.

Workshops
​Provenance workshop
Special collections management 
Art market online platforms

Field trips
​Castle in Kórnik or Bishop's Palace Ciazen 
National Museum  in Poznan
Poznan Old Town

Co-organised by

Adam Mickiewicz University in Poznań,
Katholieke Universiteit Leuven,
Université Libre de Bruxelles
Erasmus University, Rotterdam
Universidade NOVA de Lisboa,
and the Laboratoire de Recherche Historique Rhône-Alpes.

Contact
foundation@bachlaw.eu
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Speakers
Economics of Art & Finance
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Anne-Sophie Radermecker
Assistant Professor in Cultural Management at the Université libre de Bruxelles

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Kim Oosterlinck
Professor of Finance at the Solvay Brussels School of Economics and Management (Université libre de Bruxelles) and Research Fellow at the CEPR
Art History
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Adelaide Duarte
Researcher, Professor at Universidade NOVA de Lisboa (NOVA FCSH) and ​Deputy Director of the Art History Institute
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Alice Ensabella
Professor in Contemporary Art History at the University of 
​Grenoble and member of the LARHRA
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Sophie Raux
Professor of History of Early Modern Art at the University Lumière Lyon 2 and Head of the Laboratoire de Recherche Historique Rhône-Alpes
Art History / Digital Humanities
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Christian Huemer
​Director of the Belvedere Research Center in Vienna
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Federico Nurra
Head of the Digital Research Service at the French National Institute of Art History (INHA, Paris)
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Koenraad Brosens
Professor in Art History and Vice-Dean of Education at the University of Leuven (KU Leuven)
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Sandra van Ginhoven
​Head of the Project for the Study of Collecting and Provenance at the Getty Research Institute in Los Angeles
Global Art Markets
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Filip Vermeylen
Professor of Global Art Markets at the Erasmus University Rotterdam in The Netherlands
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Art Law
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Alicja Jagielska-Burduk
UNESCO Chair on Cultural Property Law at the Faculty of Law and Administration, University of Opole
Organization and Partners:
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  • Home
  • 2025 - Poznan
    • Program
    • Speakers
    • Registration
    • Accommodation
  • Last editions
    • 2023 - Lisbon >
      • Program
      • Speakers
      • Registration
      • Accommodation
    • 2022 - Antwerp
    • 2019 - Lyon